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<p class="lead">Ramsey Castaneda, DMA</p>
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<h4 class="h4 text-center">Navigation</h4>
<a class="btn btn-outline-info btn-sm small m-1" href="#teaching">Teaching</a>
<a class="btn btn-outline-info btn-sm m-1" href="#listen">Listen</a>
<a class="btn btn-outline-info btn-sm m-1" href="#research">Research</a>
<a class="btn btn-outline-info btn-sm m-1" href="#online-education">Online Education</a>
<a class="btn btn-outline-info btn-sm m-1" href="#photos">Photos</a>
<a class="btn btn-outline-info btn-sm m-1" href="#private-lessons">Lessons</a>
<hr>
<h5>Education</h5>
USC, DMA, 2018<br>
CSULB, MM, 2014<br>
UNT, BM, 2012<br>
<hr>
<h5 >Contact</h5>
<a href="/cdn-cgi/l/email-protection" class="__cf_email__" data-cfemail="fb899a96889e82d598bb979a9896d59e9f8e">[email protected]</a>
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<h1 class="pl-1 my-auto text-center text-dark" >
Ramsey Castaneda, DMA</h1>
<p class="lead text-center text-muted font-italic">Performance, Education, and Scholarship
</p>
<hr>
</div>
<div class="alert alert-info text-left mx-auto shadow">
<small>
<!-- <span class="font-weight-bold">Note:</span> -->
Looking for my music theory site, jazz transcriptions, or other resources? Click below:
<ul>
<li><a href="https://music-theory-practice.com" target="_blank">My Music Theory Resource Website</a></li>
<li><a href="https://www.ramseycastaneda.com/transcriptions/index.html" target="_blank">Jazz Transcriptions</a></li>
<li><a href="https://www.tentimesinarow.com/" target="_blank">TenTimesInARow.com</a></li>
<li style="display: none;"> <a href="https://www.ramseycastaneda.com/midi-keyboard.html" target="_blank">Midi Keybaord Display</a></li>
<br>
<li>Advice from Jazz Greats</li>
<ul>
<li>
<a href="resources/thelonious-monk-advice-steve-lacy.html">Thelonious Monk's Advice to Steve Lacy</a>
</li>
<li>
<a href="resources/elvin-jones-advice-thoughts.html">Elvin Jones' "Thoughts"</a>
</li>
<li>
<a href="resources/chick-coreas-advice-cheap-but-good.html">Chick Corea's "Cheap but Good Advice"</a>
</li>
</ul>
<br>
<li>Discography-Transcription Collections (needs updating)</li>
<ul>
<li>
<a href="https://www.ramseycastaneda.com/chris-potter-discography/index.html">Chris Potter Discography</a>
</li>
<li>
<a href="https://www.ramseycastaneda.com/john-coltrane-discography/index.html">John Coltrane Discography</a>
<ul>
<li><a href="https://www.ramseycastaneda.com/projects/coltrane-homes.html">Interactive Essay on Coltrane's Residences</a></li>
</ul>
</li>
</ul>
</ul>
</small>
</div>
</div>
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<div class="row ">
<div class="col-12 mx-auto text-center">
<h4 class="h4 text-center">Navigation</h4>
<a class="btn btn-outline-info btn-sm small m-1" href="#teaching">Teaching</a>
<a class="btn btn-outline-info btn-sm m-1" href="#listen">Listen</a>
<a class="btn btn-outline-info btn-sm m-1" href="#research">Research</a>
<a class="btn btn-outline-info btn-sm m-1" href="#online-education">Online Education</a>
<a class="btn btn-outline-info btn-sm m-1" href="#photos">Photos</a>
<a class="btn btn-outline-info btn-sm m-1" href="#private-lessons">Lessons</a>
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<div class="col-12">
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</div>
<div class="col-6 mx-auto text-center">
<h4 class="h4 text-center">Education</h4>
USC, DMA, 2018<br>
CSULB, MM, 2014<br>
UNT, BM, 2012
</div>
<div class="col-6 mx-auto text-center">
<h4 class="h4 text-center">Contact</h4>
<a href="/cdn-cgi/l/email-protection" class="__cf_email__" data-cfemail="a4d6c5c9d7c1dd8ac7e4c8c5c7c98ac1c0d1">[email protected]</a>
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<h4 class="text-left">Aims</h4>
<h5 class="text-left text-muted text-center"> De-mythifying and Deromanticizing Jazz Performance and Jazz History Education</h5>
<p class="indent small">
Over the past few years my focus as an educator has turned to de-mythifying and deromanticizing jazz education and jazz history. Nietzsche’s aphorism, “They muddy the water to make it seem deep,” seems an apt description for much of jazz education (though by no means all). My mission is to elucidate jazz performance (improvisation, theory, etc.) and deconstruct notions of jazz and authenticity found in traditional (and untraditional) jazz history narratives using techniques from melodic embellishment for improvisation and "New Jazz Studies" in history and historigraphy. I'm particularly inspired by the writings of <a href="https://jazzstudiesonline.org/author/krin-gabbard" target="_blank">Krin Gabbard</a>, <a href="https://www.bcu.ac.uk/media/applying-to-us/our-staff/tony-whyton" target="_blank">Tony Whyton</a>, <a href="https://people.miami.edu/profile/daa75@miami.edu" target="_blank">David Ake</a>, and others.
</p>
<h5 class="text-left text-muted text-center">Reframing "Success" for the Music Major</h5>
<p class="indent small">Though I'm an eager participant in the performer-scholar/artist-teacher lineage, I champion the notion that there are a <a href="http://ramseycastaneda.com/music-world/music-careers.html">multiplicity of avenues for living a fulfilling and meaningful life in the “music world”</a> (a la Howard Becker’s <a href=“#” class='font-italic'>Art Worlds</a>). Single-minded focus on performance as the primary measure of success is a detriment to individuals, music, and the communities in which young artists find themselves. Rather than exalting “superstardom” (or virtuosity, or releasing an album, or size of repertoire, etc.) as the benchmark for success, performance educators would do well to reframe the mission of the music major to the development and strengthing of relationships and engagement between musician and their local community via <a href="http://www.artistic-citizenship.com/">artistic citizenship</a>.</p>
<h5 class="text-left text-muted text-center">Embracing Educational Research and Philosophy in Jazz Scholarship and Pedagogy</h5>
<p class="indent small"> Education philosophers and music-education philosophers (including Dewey, Reimer, Alperson, Kivy, Elliott & Silverman, Bowman, Noddings, and others) have profound insights that can help us clarify and achieve the aims of music education. The pursuit of clear philosophical aims can be coupled with research produced in both quantitative and qulativate spheres in music, psychology, sociology, and beyond. I once read about an old saying: "He's educated, but it didn't hurt his playing none." Jazz education in particular has much to gain by simply opening itself up to the aims, practices, and research in its sibling fields, of philosophy of (music) education, assessment, sequence, and feedback. As soon as jazz educators and performers accept that jazz stands to gain from the fruits of its sister fields, not unlike Frederick Garbers statement that "<a href="https://books.google.com/books?id=yT56t7hriTEC&lpg=PP1&dq=Representing%20jazz%20krin%20gabbard&pg=PA73#v=onepage&q&f=false" target="_blank">The primacy of improvisation is in no sense encumbered or compromised by an awareness of the frames of discourse</a>," the better. </p>
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<div class="show px-4" id="collapseExample">
<h2 id="teaching" class="mt-4">Teaching </h2>
<ul class="list-unstyled">
<li class="media">
<span class="minW"> 2021 - Present</span>
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<h5 class="mt-0 mb-1 ">Crossroads School for Arts and Science</h5>
<p class="ml-2 pt-0">
<span class=""> Chair, Upper School Music Department</span>
</p>
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</li>
<li class="media">
<span class="minW"> 2015 - 2022</span>
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<h5 class="mt-0 mb-1 ">Los Angeles College of Music</h5>
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<span class="">
Courses taught: Advanced Theory and Aural Skills, Pedagogy, Big Band, Combos, Ensemble Workshops, Chamber Groups, and Private Lessons</span>
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<span class="minW">2014 - 2018</span>
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<h5 class="mt-0 mb-1">University of Southern California</h5>
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<span class=""> Courses taught: Private Jazz Lessons for Classical Saxophone DMA Candidates
<br><br>
Teaching Assistant:
<ul class="">
<li>Business and Legal Aspects of the Music Industry</li>
<li>Introduction to the Music Industry</li>
<li>Basics of the Music Industry</li>
<li>Arranging for Popular Music Ensembles</li>
<li>The Music of Black Americans</li>
<li>Jazz History</li>
</ul>
</span>
</p>
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</li>
<li class="media my-4">
<span class="minW">2017 - 2018</span>
<div class="media-body ml-4">
<h5 class="mt-0 mb-1">Los Angeles Youth Jazz Ensemble</h5>
<p class="ml-2 pt-0">
<span class="">Co-director of Los Angeles based high-school jazz ensmble organized by USC Thornton School of Music's Music Teaching and Learning Outreach Program.</span>
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</h2>
<!-- <h6>Listen</h6> -->
<h2 id="listen">Listen: Selected Performances</h2>
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On Michael Bublé's 2018 album, <span class='text-danger'>❤</span>, (pronounced, "Love").
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<iframe src="https://www.youtube.com/embed/-9vF4hb3nSo" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
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<p>A solo with Jon Hatamyia Group</p>
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<iframe src="https://www.youtube.com/embed/Ln28UeW_Cns" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
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A solo during the Paquito Rivera workshop at Carnegie Hall
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<iframe width="560" height="315" src="https://www.youtube.com/embed/BkBD2fE90iE" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
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A solo with Peter Erskine and the Disneyland All-American College Band
</p>
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<p>
Saxophonist (all parts) on Disney's <i>Making Today a Perfect Day</i> for the TV show <i>Best Friends Whenever</i>
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<iframe src="https://www.youtube.com/embed/KuNAGWshQPQ" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
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Saxophonist on Disney's <br><i>Sophia the First</i>
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<div id="research" class="p-4">
<h2 >Research
</h2>
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<p class="text-left">Explore some of my current interests. Click on a blue node to close its children.</p>
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<h2 class="text-left py-3">Presentations</h2>
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<img src="photos/ramsey-castaneda-documenting-jazz-2019-dublin.jpg" alt="Documenting Jazz 2019"
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1) "Invoking Jazz: Meanings of 'Jazz' in Television, Film, and Advertising"
<br><br>
2) "Coltrane in Pop Culture"
<br><br>
Documenting Jazz 2019, Dublin, Ireland
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<img src="photos/ramsey_castaneda_casmec.jpeg" alt="CASMEC 2016"
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"Jazz Poetry: Jazz and the High School Literature Classroom," CASMEC, 2016, Fresno, CA
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<a href="https://www.ramseycastaneda.com/assets/img/ramsey-castaneda-casmec17.jpg" data-lightbox="gallery-mf">
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<img src="https://www.ramseycastaneda.com/assets/img/ramsey-castaneda-casmec17.jpg" alt="CASMEC 2017"
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"Expectations vs Reality: Experiences of Recent DMA Graduates," CASMEC 2017, Fresno, CA
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<img src="https://www.ramseycastaneda.com/assets/img/ramsey-castaneda-jazz-education-network-saxophone.jpg" alt="Directing USC's Community Engagement Program's Los Angeles Youth Jazz Ensemble (LAYJE) in 2016"
class="img-fluid" style="max-height: 250px">
<img src="photos/ramsey-castaneda-jazz-education-network-JEN.jpeg" alt="Directing USC's Community Engagement Program's Los Angeles Youth Jazz Ensemble (LAYJE) in 2016"
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"An Analysis Of Chris Potter's Improvisations During His Teen Years," JEN 2018, Dallas, TX
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<img src="photos/ramsey-castaneda-jen-19.jpeg" alt="JEN 2019"
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"Jazz Music, Musicians, and Iconographic Depictions in Popular Culture and Mass Media," JEN 2019, Dallas, TX
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<img src="photos/ramsey-castaneda-jazz-education-network-2018.jpeg" alt="JEN 2018"
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"Jazz in Popular Culture," JEN 2019, Dallas, TX
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<div class="card">
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<img src="photos/castaneda-quinlan-jen.jpeg " alt="" class="w-100">
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<div class="card-footer">"Developing the Canon in the Dark Room: Photography's influence on Jazz," JEN, 2020, New Orleans</div>
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<img src="photos/ramsey-castaneda-documenting-jazz.jpeg" alt="" class="w-100">
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<div class="card-footer">"Through the Lens: How Photography in Jazz History and Appreciation Textbooks Shapes Our Understanding of the Music," Documenting Jazz 2020, Birmingham, England</div>
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<h2 class="" id="online-education">Online Education</h2>
<p class=" pt-0">
As an undergraduate at the University of North Texas, I taught myself basic web-development to put online a Chris Potter discography that I had created. This first attempt at coding and publishing a web-project put me in contact with other jazz scholars and fans around the world and initiated meaningful musical connections that expanded my perspective of jazz beyond performance. During my doctoral studies, I took classes in interactive web and database development. </p>
<p class=" mb-4 ">
Over the past few years, I've enjoyed marrying my passions for music, theory, and history with code and pedagogy. Below are some of the projects I've created. I've created web-applications in PHP, SQL, Angular, Angular Universal, Vue, and of course JavaScript, HTML and CSS. </p>
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<h5 class="text-center " >General Jazz History/Research</h5>
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<div class="p-2">
<a href="https://www.ramseycastaneda.com/john-coltrane-discography/index.html" target="_blank">John Coltrane Discography</a>
<ul>
<li class="small">
A searchable and sortable Coltrane discography that includes publically available transcriptions
</li>
</ul>
<a href="https://www.ramseycastaneda.com/projects/coltrane-homes.html" target="_blank">Mapping John Coltrane's Life</a>
<ul>
<li class="small">A Google Street-View timeline of Coltrane's residences accompanied with biographical information and lists of recordings Coltrane made while living at particular locations.</li>
</ul>
<a href="https://www.ramseycastaneda.com/chris-potter-discography/index.html" target="_blank">Chris Potter Discography</a>
<ul>
<li class="small">
A searchable and sortable Chris Potter discography that includes publically available transcriptions
</li>
</ul>
</div>
</div>
<div class="card border-1">
<div class="bg- border- p-2">
<h5 class="text-center" >Database of Jazz Representation in Popular US Media</h5>
</div>
<div class="mx-auto text-center">
<img src="https://jazzinpopculture.com/assets/img/logos/jpg/color_medium.jpg" alt="" style="max-height: 75px">
</div>
<p class="small p-2 text-center font-italic">Currently under construction<br>
<a href="https://jazzinpopculture.com/view-all3.php" target="_blank">jazzinpopculture.com</a></p>
<div class="p-2">
<ul>
<li class="small">
A project to collect and catalogue representations of jazz in mainstream media. Particular attention is given to 1) the indexical significations of the word "jazz," particularly when spoken or referenced without accompaning audio or visual referents, and 2) the appropriation of John Coltrane as a symbol of "jazz." </a>
</li>
<br>
<li class="small">
I have presented this research at JEN 2019 (Reno, Nevada) and Documenting Jazz 2019 (Dublin, Ireland). Continuing this theme, I am co-presenting related papers on photographic tropes in protoypical historic jazz photographs at JEN 2020 (New Orleans, IL) and Documenting Jazz 2020 (Birmingham, England).</a>
</li>
</ul>
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<div class="card border-1">
<div class="bg- border-1 p-2">
<h5 class="text-center" >Music Theory Flashcard Games and Interactive Articles</h5>
<div class="media">
<img src="https://music-theory-practice.com/images/jpgs/bass-clef-r.jpeg" class="img-fluid mr-3" style="max-height: 50px; border-radius: 10px">
<div class="media-body">
<p class="small">
In mid-2018, I migrated all of my music theory web-applications to music-theory-practice.com, which now features approximatley 28 interactive music-theory articles, tutorials, and flashcards. A sample of those is below.</p>
</div>
</div>
</div>
<div class="p-1">
<a href="https://music-theory-practice.com/jazz/chord-scale-degree-flashcards.html" target="_blank">Interactive Scale Degree Flashcards</a>
<ul>
<li class="small">
Interactive flashcards featuring randomly generated questions in the form of "What is the X of Y," where X is a scale degree and Y is a key. For example, "What is the b13 of Ab," to which the user must respond with "Fb." Similarily, I also created <a href="https://music-theory-practice.com/solfege/learn-movable-do-solfege.html">Solfege Flashcards</a>
</li>
</ul>
<a href="https://music-theory-practice.com/post-tonal/interval-vector-calculator.html" target="_blank">Interval Vector (IV) Tutorial and Calculator</a>
<ul>
<li class="small">A tutorial on how to find the interval class vector of a collection of pitch classes. The calculator produces results in four formats: 1) a list of each interval pair, mod6, 2) standard ICV notation, i.e. < x x x x x x >, 3) a dynamically produced bar graph chart, and 4) notation of the collection on a treble clef staff.</x></li>
</ul>
<a href="https://music-theory-practice.com/transposition/transpose-to-concert-pitch-quiz.html" target="_blank">Transposition Flashcards</a>
<ul>
<li class="small">
These flashcards draw from an array of transposing instruments and ask the user what written pitch would X instrument need to play to sound Y pitch. For example "What note would an Alto Saxophone need to play to produce this concert-pitch note?" Alternative, there is a set of flashcards for the opposite, what is the concert pitch note of Bb Clarinet's note, C.
</li>
</ul>
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</div><!--Card -->
<div class="card d-none">
<div class="bg-light border-bottom p-2">
<h5 class="text-center text-dark">Early Chris Potter Solos</h5>
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<p class="small p-2 text-center font-italic">Currently under construction</p>
<div class="p-2">
<ul>
<li class="small">
Shortly after the online-publication of my Chris Potter discography in 2011, I became aquainted with a number of other Chris Potter afficanados and people close with him when he began playing professional as a young teenager. I have since aquired through these contacts a number of recordings featuing phenomenoual recordings of the young Potter. Analysis of a number of these solos was presented at JEN 2017 (Dallas, Tx), and the creation of a transcription book is in the works.</a>
</li>
</ul>
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<h2 class="p-4 text-left" id="photos">Photos</h2>
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<a href="https://ramseycastaneda.com/lessons/img/ramsey-castaneda-lacm2.jpg" data-lightbox="gallery-mf">
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<img src="https://ramseycastaneda.com/lessons/img/ramsey-castaneda-lacm2.jpg" alt="Ramsey Castaneda and Bob Mintzer at USC"
class="img-fluid" style="max-height: 325px">
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<p class="px-4 text-muted">LACM graduation with a student, 2019</p>
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<a href="photos/ramsey-castaneda-lacm-pcc.jpeg" data-lightbox="gallery-mf">
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<img src="photos/ramsey-castaneda-lacm-pcc.jpeg" alt="Directing the LACM big band at the PCC Jazz Day Festival"
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<p class="px-4 text-muted">Directing the LACM big band at the PCC Jazz Day Festival, 2019</p>
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<a href="https://ramseycastaneda.com/lessons/img/ramsey-castaneda-bob-mintzer.jpg" data-lightbox="gallery-mf">
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<img src="https://ramseycastaneda.com/lessons/img/ramsey-castaneda-bob-mintzer.jpg" alt="With Bob Mintzer at the USC Honors Convocation"
class="img-fluid" style="max-height: 200px">
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<p class="px-4 text-muted">With Bob Mintzer at the USC Honors Convocation</p>
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<a href="photos/ramsey-castaneda-los-angeles-youth-jazz-ensemble.jpeg" data-lightbox="gallery-mf">
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<img src="photos/ramsey-castaneda-los-angeles-youth-jazz-ensemble.jpeg" alt="Directing USC's Community Engagement Program's Los Angeles Youth Jazz Ensemble (LAYJE) in 2016"
class="img-fluid" style="max-height: 200px">
</div> </a>
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<p class="px-4 text-muted">Directing USC's Community Engagement Program's Los Angeles Youth Jazz Ensemble (LAYJE) in 2016</p>
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<a href="photos/ramsey-castaneda-usc.jpg" data-lightbox="gallery-mf">
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<img src="photos/ramsey-castaneda-usc.jpg" alt="USC graduation Portrait"
class="img-fluid" style="max-height: 320px">
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<p class="px-4 text-muted">USC Graduation Portrait</p>
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<a href="photos/ramsey-castaneda-gordon-goodwin-james-morrison-terell-stafford-willie-becky-murillo.jpeg" data-lightbox="gallery-mf">
<div class="work-img">
<img src="photos/ramsey-castaneda-gordon-goodwin-james-morrison-terell-stafford-willie-becky-murillo.jpeg" alt="USC graduation Portrait"
class="img-fluid" style="max-height: 320px">
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<p class="px-4 text-muted">
At the Newport Jazz Festival (CA) -- with Gordon Woodwin, James Morrison, Terell Stafford, and Willie and Becky Murillo
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<a href="photos/ramsey-castaneda-community-engagement-award.jpg" data-lightbox="gallery-mf">
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<img src="photos/ramsey-castaneda-community-engagement-award.jpg" alt="USC graduation Portrait"
class="img-fluid" style="max-height: 320px">
</div> </a>
<div class="work-content">
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<div class="col-sm-12">
<p class="px-4 text-muted">
Community Engagement Award Cermony, USC </p>
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<a href="photos/ramsey-castaneda-and-bob-reynolds.jpeg" data-lightbox="gallery-mf">
<div class="work-img">
<img src="photos/ramsey-castaneda-and-bob-reynolds.jpeg" alt="USC graduation Portrait"
class="img-fluid" style="max-height: 320px">
</div> </a>
<div class="work-content">
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<div class="col-sm-12">
<p class="px-4 text-muted">
With Bob Reynolds</p>
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<a href="photos/ramsey-castaneda-paquito-drivera.jpeg" data-lightbox="gallery-mf">
<div class="work-img">
<img src="photos/ramsey-castaneda-paquito-drivera.jpeg" alt="USC graduation Portrait"
class="img-fluid" style="max-height: 320px">
</div> </a>
<div class="work-content">
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<div class="col-sm-12">
<p class="px-4 text-muted">
With Paquito D'Rivera</p>
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</div>
</div>
<div class="work-box card mx-auto text-center">
<a href="photos/ramsey-castaneda-jiggs-wigham-disneyland.jpeg" data-lightbox="gallery-mf">
<div class="work-img">
<img src="photos/ramsey-castaneda-jiggs-wigham-disneyland.jpeg" alt="USC graduation Portrait"
class="img-fluid" style="max-height: 320px">
</div> </a>
<div class="work-content">
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<div class="col-sm-12">
<p class="px-4 text-muted">
With Jiggs Wigham</p>
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</div>
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<hr>
<div class="p-4">
<h2 id="private-lessons">Lessons
</h2>
<p>I currently have openings for private lessons (saxophone, improvisation [any instrument], and music theory) in the Pasadena, CA area. I provide in-home lessons. Please contact me through email if interested.</p>
<p>I'm additionally available for masterclasses and workshops with high schools and colleges. Contact me through email if interested.</p>
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